Our longest camping trip this summer was a four-week exploration of northwestern Ontario: Manitoulin Island, the North Channel, Lake Superior, and Lake of the Woods. During this trip I amassed many wonderful reference photos to inspire future paintings.

As I was reviewing the best of the best photographs to share with you, it struck me that my final selections, the ones that truly captured the sense of place, were stretched panoramas. The lakes and skies up north are so vast and wide, it's hard to take in all the beauty on display.

We spent the first week camping on Manitoulin Island, which is a very laid back place with a rural vibe and lots of historic barns. These Sandhill Cranes crossed a country road just as we approached in our truck. We see cranes like these every summer we travel in the north.

My husband and I (back) were accompanied by our long-time friends Carolyn and Roger (front), pictured here at a lookout on the famous Cup and Saucer Trail. We had no trouble finding daily excursions like this to keep active and search out beautiful scenery.

Shown above is a view of the North Channel near our Manitoulin Island campground, with the Ontario mainland in the distance. I love the patterns the wind and currents make on the intensely blue water.

Hoping for more photographic opportunities, we took a day cruise from Little Current harbour to the village of Killarney and back. Shown above is one of many 'paint-able' rocky points we cruised by. This type of rock reminds me of Georgian Bay, which is not surprising since the North Channel leads into Georgian Bay.

At Killarney, we saw many lovely summer homes on the rocky shore, but this humble cottage embodies that old-time Georgian Bay nostalgia.

As we cruised back to Little Current that afternoon, the sun came out and sprinkled diamonds on the waters of the North Channel, while a thunder cloud poured rain on Manitoulin.

After a very relaxing week on the Island, we journeyed north-westward to Lake Superior, camping at Wawa and then stopping at Terrace Bay to show our friends Aguasabon Falls and Gorge. There is a generous parking area, large enough to turn around and park our travel trailers, and a very short boardwalk hike that took us to this stunning view.

In the words of the town, "With a beautiful ferocity in the spring and a serene grace in the summer and fall, this spectacular 100 foot waterfall cascades into the Aguasabon Gorge—flowing along a 2.6 billion year old rock face." If your travels take you through Terrace Bay, watch for the signs to the Gorge and take a look at this natural wonder.

We camped for several days at Nipigon to attend the Live from the Rock Folk Festival, an annual music and arts festival held on the shore of Lake Superior in Red Rock. While there, we hiked up to the lookout over Nipigon Bay to view the islands of the Lake Superior Archipelago. The hilly shapes remind me of paintings by the Group of Seven. I love the grace and power of this place.

While our friends departed to spend time with family, my husband and I headed for Lake of the Woods, pictured above. We spent a glorious week there, visiting family and enjoying lakeside living. The weather was favourable and we spent an entire afternoon boating through a tiny section of the lake, which is an enormous body of water - 137 km long and 91 km wide at its widest point.

Lake of the Woods has a shoreline of just over 100,000 km if you count the shoreline of its many islands as well as the mainland. That's more than Lake Superior! There are 14,522 islands in Lake of the Woods.

And gosh, do I love painting those islands and points with their iconic twisted pines! Our visits to this lake have inspired dozens of paintings.

As we journeyed homeward, we made a point to camp a few nights at Marathon so I could visit my favourite Pebble Beach.

As is often the case, the weather was cool and foggy while we were there. I have only seen this beach once on a calm sunny day, and the rest of the time conditions have been misty or raining. But the mist adds a sense of hushed solitude that makes for very compelling paintings, and also makes the beach stones look more colourful than they do when dry. I like this shot above of my husband bending for a closer look. I had to lay flat on the stones to get the shooting angle I wanted.

While in town, we heard about a flat rock beach and searched it out. We were amazed at the great slabs of rock we found there along the Lake Superior shore. It felt very other-worldly.

Now that we know where this place is, I'll have TWO beaches to stop at every time we travel by Marathon. Thank goodness for a patient husband! I would love to see this landscape in sunshine, when the lake looks sapphire blue.

By the time we reached our home base in Lindsay, my husband and I had travelled 5,000 km on this month-long adventure. We came back with happy memories of fun times, a renewed appreciation of this remarkable province, and so much painting inspiration, I hardly knew where to begin!

Did you enjoy these highlights of Karen's camping trip? If you have comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post. 

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Usually when we travel in the Airstream I fit in a painting day once a week or so, just for the joy of it.

The rest of my time is spent living the simple life with my husband: hiking, kayaking, making healthy meals, and slowly exploring the region in which we find ourselves.

This past summer, with steady sales of my artwork continuing in the galleries back home, I was keen to paint more frequently.

I found the dinette in our trailer (pictured above) to be the perfect spot to set up a simple painting space for a few hours at a time.

By the time we got home and I returned to the art studio, I was able to mount and frame a half dozen new works (pictured here).

In these paintings, I have continued to focus on misty northern lakes, bringing more imaginary places to life, venturing into a moonlit night scene, and branching off (pun intended) into a pile of colourful maple leaves.

This pair of blue lake scenes began as simple blue graded washes for the sky and a few horizontal streaks of blue for the water ripples. It took 3 or 4 layers of paint to build up the colour density I was after. I left large blank white areas in the middle to add some islands and reflections later.

Listen to the Silence, varnished watercolour on 14 x 11 inch panel.

I invented the overlapping blue hills for the background, wetting the bottom edges with clear water to simulate mist.

When that was dry, I painted an imaginary island, again with mist cloaking the shoreline, and a canoe seen coming towards the viewer.

I added a soft reflection under the island so it would not draw the viewer's eye away from the canoe.

Click here for more information about Listen to the Silence.

The Answer Will Come, varnished watercolour on 14 x 11 inch panel.

I knew I wanted an interesting island centred in this piece so I looked through my treasure trove of Lake of the Woods photos. (We visit family there most summers.)

This is the reference I chose, adding some hefty rocks to the front of 'my' island. Again, I added water when painting the bottom of the island, to simulate a foggy shoreline.

The water ripples in the foreground needed more visual interest, so I imagined some smooth underwater stones and painted the shadowy spaces in between them. Then I added a few above-water rocks to lead the viewer's eye between the foreground and the big island. Lastly, I painted in a hazy reverse image for the island reflection.

Click here for more details about The Answer Will Come.

Reunion, varnished watercolour on 10 x 10 inch panel.

One of my painting buddies goes on an annual canoe trip with a group of women friends, and she was kind enough to supply me with several dozen photos of canoes taken at various places during her trips.

These are a great resource whenever I want to add a canoe into an imaginary scene.

For this painting, I used her reference photo (shown here) for the foreground and invented a couple of islands to make a more interesting scene. I changed the canoe colours and decided to make the season autumn, so the trees would complement the canoes.

Click here for more information about Reunion.

Misty Beginnings, varnished watercolour on 10 x 10 inch panel.

This painting was inspired by a quick photo I took out of our truck window one summer as we were driving along Hwy 17 north of Lake Superior.

I thought this little point of land on the edge of an island looked interesting.

I imagined a new scene roughly based on the photo, adding more mist, a canoe, more prominent rocks, and individual trees on the point.

Click here for more information about Misty Beginnings.

Some Enchanted Evening, varnished watercolour on 16 x 12 inch panel.

This was an experimental piece, meaning I had no idea if it would be successful or not. I knew I wanted a night scene with lots of deep blues and black, with a yellow full moon and its reflection across the water.

I imagined a slight breeze rippling the water and how the resulting reflections would behave.  I figured the rocks would have some warm tones, coming from moonlight.

I breathed a big sigh of relief when this painting turned out so well.

Click here for more information about Some Enchanted Evening.

Maple Flooring, varnished watercolour on 11 x 14 inch panel.

I took this reference photo decades ago while walking in the woods and have painted from it twice.

It is a simple scene, but that red maple leaf is so wonderfully symbolic of Canada, and it was fun to work with bright colours.

Click here for more information about Maple Flooring.

As cooler weather arrives, I feel my inner energy rising. It's time to get the garden trimmed back and close out the growing season. I look forward to having lots of studio time this fall and winter to create more new paintings, and then share with you the stories behind them.

Which painting is your favourite? If you have comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post. 

Subscribe to Karen's Newsletter if you wish to see more painting stories, travel tales, studio news updates, or notices of upcoming exhibitions.

My husband and I had the chance to visit Point Pelee National Park on the shores of Lake Erie this summer.

While there, I was thrilled to meet some very photogenic frogs in a small pond near the visitors' centre.

Why this excitement over frogs, you ask?

It's because I have a collection of lovely photos of pink water lilies I would like to paint, and lily pads are the perfect setting for frogs.

I chanced upon the gorgeous blooms pictured here near Timmins, ON three years ago. 

We were in town to see the 'Stars and Thunder' outdoor music festival, and the resort we camped at had an ornamental pond with koi and water lilies.

These photos could translate into great paintings, but if I have some well-focused close-up shots of frogs to add a bit of animation or 'story' to the scenes, I have the possibility of creating some really exciting, large-scale watercolour pieces.

That is why I was so pleased to have these wee frogs pose for me at Point Pelee. Imagine the fun I could have coming up with painting titles...

The Lodge had a half dozen serviced camping sites adjacent to their cabins, so we reserved a spot for a week in June and brought our travel trailer.

This is the view of the little island from the shoreline of Edgewater Park.

The island looks small and unassuming from this angle, but I suspected from seeing it last winter that the island might be more impressive from other viewpoints.

These Canada geese swam by as I was taking photos from the shore.

They might be just the thing a future painting could use in the foreground.

Luckily, we had our kayaks with us, and on the first calm day of our visit, we went for a paddle along the shore and over to the island.

I had my IPhone on board in a waterproof case so I could take pictures.

My husband, paddling in his kayak ahead of me, made for a good model in some of my photos, helping to show the scale of the landscape. The island looks quite wide from this angle.

As we circumnavigated the island, it was amazing to see how its appearance changed when viewed from different directions, and depending on whether the sun was shining or hidden by a cloud.

The lake water changed its appearance also. Sometimes it was a pale blue, sometimes a deeper blue, and other times the water was so clear we could see the sandy bottom.

There were quite a few different types of evergreens on the island and they made ever-changing groupings as we paddled by.

I particularly like the dynamic cloud and tree reflections in this scene. They would be challenging to paint but worth it.  I think a large scale painting would do this scene justice.

Here are more intriguing cloud and tree reflections. The slanting lines of the waves really catch my eye in this photo.

Parts of the shoreline were rock, which is one of my favourite subjects. The warm tones of the stone contrast nicely with the cooler hues of lake, sky, and trees.

Here are some lovely slabs of rock counterbalanced with a few interesting trees and rustic sheds. I am certain these rocky shorelines and their reflections will make their way into some northern lake paintings one day.

These are just a sampling of the many photos I took of this little island. Each of them is a seed with potential to grow into beautiful artwork one day. Nature is all around us, ready to inspire dozens of paintings. But sometimes, one magic island is enough.

Which scene is your favourite? If you have comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post. 

Subscribe to Karen's Newsletter if you wish to see more painting stories, travel tales, studio news updates, or notices of upcoming exhibitions.

Usually my realistic landscapes begin with a full sized pencil drawing of the entire scene, based on one or more reference photos, before I apply paint to paper.

The five northern lake scenes pictured here were created this spring with a different strategy that pushed me out of my comfort zone of colour and composition.

I began all of the paintings at the same time, using combinations of purple and gold paint mixtures.

Each artwork would have serendipitous focal areas of glowing light. The location of the glow would determine the placement of the scene's horizon.

After taping my watercolour paper to rigid supports, I brushed on clear water and applied a layer of rich colour on each piece of paper, allowing the colours to blend on the wet surface. This photo shows the first layer complete. I let the paintings dry overnight, then re-wet the surface and added more colour.

I continued to add one layer per day, building up more intense colour over the course of a week.

Working on wet paper is very unpredictable and risky, since paint moves freely on the moist surface and I never know how successful my attempts will be until all the layers have dried.

When luck is on my side, this process can result in beautiful glowing skies and lake reflections. If not, I can turn over the paper and try again on the other side. (Been there, done that, many times!)

Once the backgrounds were done, I continued work on the paintings one at a time over a six-week period, completing each artwork before proceeding to the next.

The largest piece became Nature's Gift, varnished watercolour on 14 x 11 inch panel.

The inspiration for the sky was a photo by a Facebook friend, Noreen Ebel Luce, of a sunset on Lake of the Woods. She gave me permission to use her photo (shown here) as a painting idea.

Once I was happy with my many-layered watercolour sky and lake, I invented a pine tree for the foreground (work in progress pictured below left).

   

I saw that the composition was too heavy on the left side. I needed to either make the tree extend to the right, or add a second tree to the right of the first one. Since watercolour is a transparent medium, I knew I only had one shot at fixing this painting.

To help me decide which option would look better, I took a photo of the artwork in progress and printed out two copies on photocopy paper. Then I used coloured markers to 'test drive' my two ideas (pictured above right).

I liked the single large tree better, so I went with that option to complete the watercolour painting.

For more details about Nature's Gift, click here.

I decided to use the two-tree concept in my next painting, Sunset Duet, varnished watercolour on 10 x 10 inch panel.

This pair of windblown pines pays tribute to the many beautifully sculpted trees I have seen in the Georgian Bay region. These steadfast conifers have spent a lifetime together, adorning this rocky shore. Hand in hand, they sing a quiet farewell to the setting sun.

I gathered several reference photos I had taken at Georgian Bay and sketched out an imaginary lake scene (shown here). With a few modifications, these morphed into a finished sunset painting.

Click here for more information about Sunset Duet.

Something about islands in a calm northern lake just draws me in. I want to hop in a canoe and get a closer look at the rocks and trees that have found a home there.

This idea resulted in the third painting of the series, Heaven on Earth, varnished watercolour on 10 x 10 inch panel. 

Searching through my reference archives, I found these three lake photos taken throughout northern Ontario.

Using them as reference, I sketched a composite scene onto my watercolour background, inserting foreground rocks and canoe. Then I painted all the elements in subdued colours to give a feeling of dusky light to the scene.

Click here for more details about Heaven on Earth.

Dawn of a New Day, varnished watercolour on 8 x 8 inch panel, the fourth painting, was taken from my imagination.

Onto my watercolour background I sketched a simple, rocky island and a few trees, with their feet cloaked in a gentle mist.

I made the leafless tree sturdy enough to support a bald eagle, surveying his watery kingdom from a lofty perch. Soft reflections completed the painting.

Click here for more details about Dawn of a New Day.

One Last Look, varnished watercolour on 8 x 8 inch panel was the final painting in the series and the most technically difficult piece.

This scene is Pukaskwa National Park on Lake Superior near Marathon, ON. My husband and I spent a glorious week camping there last summer. Kayaking in Hattie Cove was a special memory of this trip. The surrounding rocky cliffs were so massive and impressive. I didn't want the day to end, and this painting commemorates this special place.

I used these reference photos from our visit, but I took them on a breezy day and my painting had calmer water.

This meant I had to create a whole new set of reflections, based on the physics of how light behaves. I studied a bunch of other reference photos of reflections on waves to understand the concept before completing my painting. I breathed a big sigh of relief when it was done successfully.

For more information about One Last Look, click here.

I hope you have enjoyed this look 'behind the scenes' of what goes on in my art studio. Determining layout concepts and painting approaches are key steps in creating meaningful, beautiful artwork that conveys authentic emotion.

If you have comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post. 

Subscribe to Karen's Newsletter to see more of her painting stories, travel tales, studio news updates, or notices of upcoming exhibitions.

March was a quiet and intense time for me and I was able to finish five new paintings. I continue to express my admiration for northern lakes and forests in my artwork, inspired by past trips to Lake Superior and Lake of the Woods in northwestern Ontario.

Then I proceeded to create a larger interpretation of the same subject (four times the size of the first painting). I made the sky slightly more complex with some cloudy streaks running through it. I also added a few distant treetops to show how the white pine towers over the surrounding forest.

Thunderstruck, varnished watercolour on 16 x 16 inch panel, may have taken six years to come to fruition, but I still feel the same thrill looking at it as I did the first time I saw the battle-scarred white pine at Lake of the Woods. Click here for more information about Thunderstruck.

Early One Morning, varnished watercolour on 6 x 12 inch panel, was inspired by the old growth forest towering above the campground at Pukaskwa National Park on Lake Superior.

I wanted a gentle, warm mood so I created soft mixtures of peach and bronze using primary colours (Sennelier Red, Magenta, Sennelier Yellow Deep, and Phthalo Blue). 

I used these two reference photos of tree tops I had taken in the Park one evening, and assembled them into an imaginary dawn scene. I love the romantic peace of this time and place. Click here for more information about Early One Morning.

The marvellous Pebble Beach in the town of Marathon on Lake Superior has inspired yet another painting.

This one is Superior Sunbathers, varnished watercolour on 20 x 16 inch panel.

This beach is composed of smooth round stones the size of citrus fruits - from limes to grapefruits. The colours are rich and varied, especially when the stones are wet, and many have interesting stripes or other markings.

The scene never looks the same twice, with wind and sunlight affecting the behaviour of the waves and the colours of water and rock.

A few years ago, we were lucky to visit the beach on a calm, sunny morning, and I took dozens of photos from many angles.

Sometimes I had to put my camera almost in the water, viewfinder out of sight, hoping to capture the low point of view I was after.  The photo pictured here is one of those lucky shots.

Stones are one of my favourite painting subjects and it was pure pleasure to depict the beautiful details of this extraordinary place. Stay tuned for more paintings of Pebble Beach.

Click here for more information about Superior Sunbathers.

On the subject of multiple interpretations of a given scene, here is my third painting of this northern lake with dock and red canoe.

This piece is Spirit of the North, varnished watercolour on 18 x 24 inch panel. The first two versions were painted earlier this winter and you can read their story here.

Thank you to Pamela Weston for permission to use her reference photo (shown here) in the creation of my artwork.

I love to paint scenes that convey an unfolding story, immerse us in the beauty of nature, create a sense of joyful anticipation, hint at a mystery, or capture a precious memory. This scene checks all those boxes.

Click here for more information about Spirit of the North.

Currently, I have five new paintings of northern lake sunsets in progress in my studio and look forward to introducing them to you next month. I call them my 'purple and gold' series...

If you have comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post. 

Subscribe to Karen's Newsletter to see more of her painting stories, travel tales, studio news updates, or notices of upcoming exhibitions.

The Richardson's planned to go on several snowmobile trips during the winter of 2021 but had to cancel due to pandemic restrictions. Fortunately, we were able to defer the bookings for a year and were thrilled to partake of these long-awaited winter outings over the last month.

This photo shows my husband John and me on the left, beside our longtime friends Nancy and Rick, enjoying a bit of snow shoeing at Elk Lake Wilderness Resort in February.

The four of us stayed in one of the resort's heated cabins overlooking Elk Lake, near Earlton in northern Ontario. With gas fireplace in the living room, full bathroom and kitchen, and two bedrooms, the cabin was a cosy home base for our 4-day holiday.

Our friend Nancy took this photo of the rest of us on our sleds, in front of the resort's heated ice fishing hut.

The resort staff made a different home cooked dinner each evening and brought it to our cabin. One memorable meal was roast chicken, potatoes, salad, and blueberry pie. We cooked our own hot breakfasts, using the food in the fully-stocked fridge.

We toured the local region on beautifully groomed snowmobile trails for about 6 hours one day, swooping through scenic forests and farm fields. We plan our trips so they fall during the middle of the week to avoid busy weekend traffic, and we mostly had the trails to ourselves.

Thanks to the efforts of many volunteers in the local snowmobile clubs, the trails were well signed and extensive. John tells me there are more kilometres of groomed snowmobile trails in Ontario than there are paved highways. The winter infrastructure in the frozen north really is amazing.

Our machine has a GPS navigation system, two gas tanks, and supportive heated seats. I ride on the back and my hand grips, face shield and under-jacket, are also heated electrically. Combine that with snowmobile suits, boots, and helmets that are put together like space suits, and we can be outdoors in a blizzard all day and still be comfortable in our own little bubbles.

Another day, we explored the shoreline of Elk Lake by snow shoe, tried our hand at ice fishing, and relaxed and chatted in the cabin. In the evenings we had fun playing board games and putting together jigsaw puzzles on the kitchen table. We were so appreciative of this quality time with our friends, after many months of isolation. 

In early March, we went on our second snowmobile adventure, based at Edgewater Park Lodge on Sand Lake, near Kearney (north of Huntsville, Ontario).

Pictured here is the 2-bedroom cabin we rented, with our truck, trailer, and snow machine parked outside. Our friends Nancy and Rick joined us on this 4-day trip as well.

Here is the view from the Lodge property looking onto Sand Lake. The tracks reveal how this lake serves as a link to many of the local snowmobile trails. The people way out there are John and our friends getting set up for ice fishing.

John used a battery powered drill to auger a hole in the ice which was three feet thick. That is me in the camp chair holding a fishing rod over the hole. (No fish were harmed, or even seen, during this escapade!)

Good fortune shone upon us and the weather was clear, sunny, and mild every day. The snowmobiling was superb; as good as it gets. We spent a day and half touring the region's excellent trail system through one of the loveliest mixed forests I have visited.

We drove by huge white pines and maples, gorgeous yellow birch, and lots of beech saplings with their dried leaves adding pops of golden pink colour to the winter scenery.

There had been recent snowfall, as branches were loaded with fresh 'icing' and the trails were very smooth with good traction.

One of the excellent side benefits of these winter adventures is that I have access to gorgeous wilderness scenery, to take photos I can use for painting ideas.

Here are a few shots that I think would make great paintings.

Our snowmobile adventures this year were easy and fun, and we very much enjoyed the camaraderie of our friends. We feel lucky to live where we easily can access world-class snowmobile trails for winter getaways.

Here are John and I standing on a scenic section of trail, surrounded by the beauty and tranquility of the forest. Life doesn't get much better than this.

We hope you have had a good winter and managed to spend some time out in nature.

I put together this 1-minute video to give you a glimpse of how lovely our northern snow trails can be. I took the footage using my iPhone, holding it above John's head as we drove along. (Please forgive the sound quality.) Click on the picture below to view the video.

What do you do to enjoy the outdoors in winter? If you have comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post. 

Subscribe to Karen's Newsletter if you wish to see more painting stories, travel tales, studio news updates, or notices of upcoming painting classes and exhibitions.

After spending most of 2021 focusing on my starlight series, I have returned to painting rocks and northern lakes again.

I enjoy working in thematic series, and it's energizing to switch things up now and then, but I feel like I am in a very happy place these days. The winter is flying by.

The pair of canoe paintings pictured at the top of this post were inspired by this stunning photo taken at sunrise by Pamela Weston, from her property near Perth, Ontario. She granted permission for me to use the photo as reference for my paintings. (Check out Pamela's wonderful photography here).

Take Me There, varnished watercolour on 11 x 14 inch panel

When I created my painting, I decided to brighten the colours slightly, to emphasize the contrast of blue water and red canoe.

I used Winsor & Newton paints Cobalt, French Ultramarine, New Gamboge, and Permanent Alizarin Crimson to mix all the colours of this scene.

It took many layers of paint (using a wet-in-wet technique) over the course of a week to achieve the smooth blue gradation on the lake water from almost white to almost black. I used 2-brush technique to create the treeline and mist. The canoe and dock were simple to paint on dry paper.

Click here for more details about Take Me There.

Take Me There Again, varnished watercolour on 11 x 14 inch panel

I so enjoyed the challenges of this subject that I decided to paint a second version with a different colour palette.

I mixed all the colours I needed from Sennelier paints Phthalocyanine Blue, Sennelier Yellow Deep, and Rose Madder Lake.

This time I found it easier to create the smooth gradation in the water, but the trees and mist were less cooperative. Again, the canoe and dock were easy.

I love to paint scenes that convey an unfolding story, immerse us in the beauty of nature, create a sense of joyful anticipation, hint at a mystery, or capture a precious memory. Every now and then an exceptional painting emerges from my very heart and embodies all these elements. This is just such a painting.

Click here to see more information on Take Me There Again.

Born to Rock, varnished watercolour on 10 x 10 inch panel

This scene was inspired by rocks and trees near Georgian Bay and Lake Superior.

I placed the crack in the bedrock to lead the viewer's eye towards the erratic boulder, and then the distant white pine gestures invitingly, to come explore the lake shore.

The Great Lakes region has such wonderful rock formations, born millions of years ago and since then, eroded by wind, water, and ice into the smooth shapes we enjoy today.

These are the reference photos I used for this painting. They were taken in the Great Lakes region on three different excursions.

I used the same trio of paints for this artwork as I did for Take Me There Again.

Click here for more details about Born to Rock.

As the days lengthen towards spring, I continue to work on new paintings of water and stone in my studio. Stay tuned!

If you have comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post. 

Subscribe to Karen's Newsletter to see more of her painting stories, travel tales, studio news updates, or notices of upcoming exhibitions.

Several times each year, my husband and I enjoy driving and sightseeing on Hwy 17 in northwestern Ontario, along the northern shore of the largest lake in the world.

Some of the world's oldest rocks, formed about 2.7 billion years ago, can be found along this shore. The lake itself is about 10,000 years old and contains ten percent of all the fresh water on planet earth. 

Of course I am referring to Lake Superior, the cleanest and clearest of the Great Lakes, and the inspiration for many of my paintings. One of my favourite spots at which we stop during our journeys is Pebble Beach in the town of Marathon, to take photos of the shore, such as the one shown below. 

Marathon's Pebble Beach is composed of smooth round stones the size of citrus fruits - from limes to grapefruits. The colours are rich and varied, especially when the stones are wet, and many have interesting stripes or other markings.

The scene never looks the same twice, with wind and sunlight affecting the behaviour of the waves and the colours of water and rock.

A few years ago, we were lucky to visit the beach on a calm, sunny morning, and I took dozens of photos from many angles.

Sometimes I had to put my camera almost in the water, viewfinder out of sight, hoping to capture the low point of view I was after.  The photo pictured here is one of those lucky shots.

Back in the studio, as I worked on the 20 x 16 inch painting shown here, I substituted prettier colours and patterns on some of the foreground stones to make the painting interesting and dramatic. I have seen gorgeous stones like these elsewhere on this shore.

While I was working away, I stopped frequently to take photos of my work in progress, so I could show you the steps involved in creating this large artwork.

At some point in this painting journey, the title 'Bathing Beauties' came to mind.

I assembled the photos into a one minute video. Click on the image shown below to see how this painting came together.

This painting has been acquired by a collector, but custom print reproductions of 'Bathing Beauties' are available through my print-on-demand publisher FineArtAmerica. Click here for details.

I have many more dramatic photos of this beach and am looking forward to creating more paintings of this remarkable place. If you are a 'rockaholic' like me, you will understand my compulsion.

Do you have favourite spots on Lake Superior I should visit? If you have suggestions or comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post.

Subscribe to Karen's Newsletter if you wish to see more of her painting stories, travel tales, studio news updates, or notices of upcoming exhibitions.