Teaching fall watercolour classes to almost 60 students kept me very busy in November, so I was delighted to somehow fit in the completion of seven beautiful new paintings last month (pictured above).

The two larger pieces I finished were very satisfying, as they represented a considerable investment of time and expertise to complete. The first one, 'Lapping Waters', watercolour on panel (no glass) 16 x 20" is from my Lake Superior series and is shown below.

I love the glow of light on the water and wet beach, and the contrast of vivid blue water against the warm hues of the sand. This was a technically difficult painting, with each section requiring multiple layers of paint to smooth out the gentle colour gradations.

This beach is at Neys Provincial Park on the north shore near Marathon, ON. The Little Pic river flows into Lake Superior here, depositing sand and driftwood onto an extensive beach. This is a popular spot for family holidays during the summer, as the sand bottom extends several hundred feet out into the lake, making for safe swimming conditions. Here is the reference photo I worked with to make the painting.

Years ago, logs were floated down the Little Pic River each spring, gathered into booms, and towed to the pulp mill at Marathon. The driftwood in this scene serves as a reminder of the logging history of this place.

Click here to see more details about 'Lapping Waters'.

The second large painting completed last month is from my Northern Lakes series. 'Peaceful Passage', watercolour on panel (no glass) 16 x 20", is shown below.

I love creating the effect of fog and mist with watercolour. It has taken me years of practice to learn how to paint misty backgrounds effectively. I like the contrast of clear, strong colours in a dramatic foreground against a backdrop of misty, pale gray. I enjoy the sense of mystery that fog brings to a painting, as if it were inviting the viewer to create the narrative behind the scene.

This imaginary composition of islands in a northern lake was derived from a couple of my reference photos taken at Lake Muskoka and Lake Superior, and a canoe photo I obtained from a friend. Shown below are the landscape references.

Click here to see more details about Peaceful Passage.

Continuing with my Northern Lakes series is 'Hidden Secrets', watercolour on panel (no glass) 12 x 12", shown below.

I think this is one of my most successful fog scenes so far. I am captivated by the drama of the dark silhouettes of the island trees emerging from veils of fog. I love the luminosity of the mist and the soft reflections in the lake.

I obtained the reference photo for this painting from a Facebook acquaintance, who gave me permission to make a painting from her photo, which is shown below. She said the location is Loon Lake, north of Huntsville, ON.

Click here to learn more details about Hidden Secrets.

The next new piece in my Northern Lakes series is 'Just Breathe', watercolour on panel (no glass) 16 x 12", shown below.

This is another imaginary scene, but the feel of this place is so real that I want to go there. I love the way the majestic pines dominate the vertical composition and lead the viewer's eye to the canoe resting on the rocky shore. The foggy background adds contrast and mystery to the scene, and we wonder why the paddler stopped here. I like the way the autumn foliage echoes the warm hues of the canoe.

I used two reference photos of trees (shown below) to compose this painting, both from the Temagami region of northern Ontario.

Click here to see more information about Just Breathe.

The next painting 'One Last Cast', watercolour on panel (no glass) 8 x 8" was a commissioned piece for a client and is shown below.

The client wanted a painting similar to a previous piece of mine that was titled 'Last Cast', but asked if I could include the client's own boat and dog in the scene and change the colour scheme from pink to orange. The previous painting and new photo references are shown below.

The final two paintings from November were inspired by our trips to Newfoundland. The first piece 'Classic Rock', watercolour on panel (no glass) 12 x 6" is shown below.

This pebble and boulder beach is in Gros Morne National Park on the west coast of Newfoundland and is a scene I have painted many times. Classic rocks like these just never get old! Here are some previous versions I painted of this beautiful spot.

Click here to see more details about Classic Rock.

The second new painting inspired by Newfoundland is in my StoneGarden series and shows a Monarch butterfly resting on smooth beach pebbles. This piece is titled 'Sacred Spirits', watercolour on panel (no glass) 12 x 12" and is shown below.

When researching the title for this painting, I discovered that some people believe butterflies represent the spirit world, and sighting a Monarch butterfly means your guardian angels are guiding and protecting you.

I photographed the reference butterfly in the Insectatorium in Deer Lake, and the stones were inspired by pebble beaches in Gros Morne National Park. Both of these places are on the west coast of Newfoundland.

Click here to find out more details about Sacred Spirit.

That wraps up my November creations. I hope you have enjoyed this glimpse into how I translate photos from my travels into unique artistic expressions. My hope is that my artwork will welcome viewers like old friends, and draw them into the narrative behind the art. Stay tuned to see what old friends December brings!

If you have comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post. 

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Bring a Paddle (12 x 12", shown above) was inspired by my travels to countless northern lakes over the years, including Georgian Bay, the Thousand Islands, and the Temagami region. My husband and I have a canoe and kayaks and enjoy exploring peaceful lakes on these watercraft.

Where we live in Ontario, we see gorgeous fall colours in our abundant forests, including the splendid reds of our sugar maples. I decided on a fall-themed painting, featuring the rich dark blue of our autumn lakes, contrasted with lush foliage colours punctuated by iconic white pines.

I used numerous reference photos of northern lakes, islands, and canoes to compose this imaginary scene. Shown below are some of the photos, a concept sketch for the island, and the initial pencil drawing on watercolour paper.

This is the canoe reference photo I selected (below), taken by my friend Averill and used with her permission. I changed the green canoe to red to coordinate with the red maple trees in the painting.

After completing the painting, I was particularly pleased with the water ripples and reflections, as they are difficult to achieve, especially when combining multiple references and working on wet paper.

Fortunately I had the foresight to take photos of each stage of this challenging painting as I worked. From these work-in-progress photos, I assembled a short time lapse video, so you can see the flow of this piece to its completion.

Click on the image below to view the 100-second story:

I posted in-progress photos of this painting on Facebook and had an offer to purchase before the painting was finished. The Montreal buyer said "I keep missing opportunities to get the ones I love. The last one left before I could... Bring a Paddle already has my heart even if not done yet... As soon as I saw it I knew I couldn't live without [it]... I see great things all the time [on Facebook] but yours speak to me."

I love to hear comments such as this. My goal is to make the world a happier place... one painting at a time. I think I scored a big hit with this one.

For more details about this painting, click here.

If you have comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post. 

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In my artistic practice, usually each painting I make is inspired by a different photograph. But every now and then I photograph a scene that captivates my imagination so strongly that I want to develop more than one painted interpretation.

Such was the case with a chance photo I took in the Georgian Bay region on one of our many excursions there. The photo showed a tiny cabin perched on a rocky island, with some gorgeous pine trees nestled around it.

I decided to use the photo for demonstration purposes in two watercolour classes I taught in 2016, where I showed students how to invent an imaginary scene using the two reference photos shown below.

Refuge' (16 x 12") and 'Island in the Storm' (11 x 14"), shown below, were my two demonstration paintings.

The image of a wee abode perched on a rocky isle continued to haunt my imagination, even after the paintings were completed and found their forever homes. I wondered what the island would look like under clear blue skies and in a large format. 'Summer Retreat' was the result.

Fortunately I had the foresight to take photos of each stage of this challenging painting as I worked. From these work-in-progress photos, I assembled a short time lapse video, so you can see the flow of this piece to its completion.

Click on the image below to view the 2-minute story:

For more information about this painting, click here.

If you have comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post. 

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Summer Memories (watercolour 18 x 24", shown above) is part of a series of paintings focusing on reflections in calm northern lakes. I love the clarity of light in this scene, where a swimming raft floats in the perfect calm of a new day, lily pads rest serenely on the surface, and the clear water reveals ancient stones near the shore. Looking at this peaceful place, the viewer remembers lakeside memories just like this.

Step 1 (above)

This painting began with a graded wash of blue paint, darker at top and bottom, to represent the clear blue sky and its reflection in the foreground water. When that was dry I drew a pencil outline of all objects in the scene, using several photos as reference.

Step 2 (above)

I masked off the waterlily leaves and some thin lines on the water near the horizon with masking fluid. When dry, I added several more layers of blue to the top and bottom of the scene, making sure to keep the horizon area white. This gives the effect of glowing light.

Step 3 (above)

The next day, after the blue paint layers were fully dry, I added shadows around and within the underwater stones.

Step 4 (above)

Once the stones were fully dry, I removed the masking fluid from the waterlily leaves and painted them.

Step 5 (above)

I began to paint the grisaille layer on the far shore and reflections. This gray paint locks in the shadow details of the pencil drawing while I can still see it clearly. There will be more colour layers added later.

Step 6 (above)

Once the grisaille layer was fully dry, I started blocking in several different green sections on the far shore and reflections. This variety of colour will make the trees look more natural.

Step 7 (above)

After adding a third layer of colour to the far shore and reflections, I painted the raft and its reflection, which took several layers to achieve the depth of colour needed for the shadowed parts. Then I removed the thin horizonal lines of masking fluid near the far shore and painted them pale blue. This simulates the effect of a slight breeze in the distance.

Once the paint was fully dry, I mounted the watercolour paper to an archival wood panel, then varnished to provide protection from UV fading, then mounted the panel in a black wood floater frame to complete 'Summer Memories', watercolour 18 x 24".

For more details about this painting, click here.

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It is remarkable how many memories can be captured in a simple lake scene. I grew up in the Canadian Shield region of Ontario, just east of Algonquin Park, so landscapes filled with clear water, sturdy rocks and wind-sculpted pine trees are ingrained in my soul.

April was another productive month in my studio, as I continued to create exciting new work in my northern lakes series. I love painting the effect of calm water and the stillness it imparts to the viewer. Many people tell me these paintings remind them of their childhood too.

Shown above is 'Summer Retreat' watercolour on panel (no glass) 24 x 18". This was inspired by several earlier paintings I created of stormy skies over an island cabin. Here are those earlier paintings:

'Refuge' (16 x 12") and 'Island in the Storm' (11 x 14"), shown above, were created in 2016 as demonstration paintings at watercolour workshops, where I showed students how to invent an imaginary scene using two reference photos. Here are my reference photos below.

The image of a wee abode perched on a rocky isle continued to haunt my imagination, even after the 2016 paintings were completed and found their forever homes. I wondered what it would look like under clear blue skies and in a large format. 'Summer Retreat' was the result. For more information about this painting, click here.

'Summer Memories', watercolour on panel (no glass) 18 x 24" shown above, was inspired by a scene I painted in February, called 'Welcome to the Lake' (18 x 24", shown below with reference photo to the right).

I was enthralled with this earlier painting because it is the view from the cottage my husband's family used to own on Big Cedar Lake near Apsley. We have many wonderful memories of this lovely spot, and when 'Welcome to the Lake' sold in March (to a family who also had a raft like this one at their cottage), I felt compelled to create another version of the scene. I moved the raft and added some lily pads to make a new composition and I love the result.

For more details about Summer Memories, click here.

I have several other excellent reference photos from our times on Big Cedar Lake and plan to make more paintings of iconic summer memories.

Shown above is 'Come Fly With Me', watercolour on panel (no glass) 12 x 16", which was inspired by a weathered piece of driftwood on the beach at Neys Provincial Park near Marathon, Ontario on the north shore of Lake Superior. We camped there last summer and I took a bunch of awesome reference photos. Here is the one that inspired this painting, along with a gull photo by Iris Vallejo (used with permission).

For more information about Come Fly With Me, click here.

'Wild Blue Yonder' watercolour on panel (no glass) 12 x 6", shown above, was inspired by this photo below of a winter scene that I took back in the 1980's during a snowmobile trip.

This photo also inspired this winter watercolour scene below, 'Enchantment' 5 x 14" which I painted and sold in 2006.

I find this grouping of pine trees very appealing so I decided to make a vertical summer lake scene, place the trees on a rocky island, and invent their reflections. Here is the concept sketch I made of the imaginary island prior to starting the painting:

I added the underwater stones in the foreground of the painting to balance the composition and give an indication of a rock-based region like the Canadian Shield. 

The literal meaning of Wild Blue Yonder is 'a location far away that is appealingly unknown and mysterious'. What a perfect title for this imaginary scene.

To see more details about 'Wild Blue Yonder', click here.

The last painting I created in April is shown above. 'Dive Right In' watercolour on panel (no glass) 8 x 8" shows the view from my sister-in-law's dock on Lake of the Woods near Kenora, Ontario. It is perfect in its simplicity and will bring back wondrous memories for many people, of sweet summer days spent on peaceful northern lakes.

For more information about 'Dive Right In', click here.

Does any of these paintings bring to life a childhood memory for you? If you have comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post. 

Subscribe to Karen's Newsletter if you wish to see more painting stories, travel tales, studio news updates, or notices of upcoming painting classes and exhibitions.

Many of my paintings are inspired by my travels to wild regions of North America, but this one came about thanks to a shoe store, the Toronto Cottage Life Show and a collector of my work who loves Lake Superior.

The story began in 2010 at the Cottage Life show in Toronto, where I rented a booth to show my paintings. There, I met this fellow who had a family cottage (or 'camp' as they call recreational seasonal properties up north) on Lake Superior. He bought one of my Featherstone giclee prints because it reminded him of heron feathers on his camp's pebble shoreline on Batchawana Bay, north of Sault Ste. Marie.

Fast forward to 2017, when I mentioned in my monthly email update that I had started a new series of paintings based on my Lake Superior trips. After seeing that, the collector from the Cottage Life Show emailed me these two photos he took during a Zodiac trip from his camp to North Sandy Island, in case I could use them for inspiration.

I thought both were excellent shots but the one with the shoe and underwater stones really ignited my imagination, and I already had my own reference photos of pebbles under clear water. I noted the idea in my 'to paint' file.

About 9 months later while holidaying with friends in Kingston, I chanced upon a sidewalk sale table of colourful running shoes. They immediately reminded me of the underwater shoe painting I wanted to make. I took a photo of the display table of shoes and now had all the references I needed to design a painting.

I started working on the 18 x 24" painting shortly after that, beginning with a very complex line drawing, and then completely finishing the painting, section by section.

For a large, intricate painting, this sequencing strategy avoids what can feel like weeks of drudgery when the whole painting is going through its unattractive, formative stage (I call this the 'teenage phase'). Finishing small sections creates excitement for me because I can glimpse the finished effect sooner and feel like I am making progress toward a positive outcome. The excitement is what motivates me to put in the hours necessary to finish the painting.

I interrupted the painting process many times to take photos of each stage, so I could make a time lapse video story of the painting's creation and title. I hope you enjoy this 2-minute video and that it helps you appreciate the thought and work involved in creating this intricate painting in watercolour. Click on the image below to view the video.

A Foot in Cold Water is one of my master works and every time I look at it I am taken to a happy place in my memories, filled with the excitement of discovery, exploring the stone-filled shallows of the North Shore. Sheer Paradise.

For more information about this painting, click here.

Have you taken an amazing photo of Lake Superior that you would like to show Karen, perhaps to inspire a painting? (She loves rocks, water, waves, trees, skies, sunsets, islands, reflections...) If so, please email your photo to karen[at]karenrichardson.ca and include the location, and the story of what makes the photo special to you.

If you have comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post. 

Subscribe to Karen's Newsletter to see more of her painting stories, travel tales, studio news updates, or notices of upcoming painting classes and exhibitions.

February was another good month for painting summer lakes scenes in my studio - the perfect antidote for winter winds and snow blowing outside my windows.

The first two paintings shown here are 18 x 24", which is the largest size I can make due to size limitations of the standard wooden art panels and 300 lb watercolour paper I prefer.

Above is pictured 'Welcome to the Lake', which is inspired by the view from my husband's family's cottage in the Kawarthas. I love the clarity of light in this scene and the flawless reflections. I remember that wonderful feeling of anticipation when arising in the morning, looking out at this peaceful lake and getting ready to enjoy another fun day at the cottage. I have wonderful memories of this place.

The diving raft, kept afloat by four empty 45-gallon drums, was one of several rafts built over the years by my husband-to-be, his brother, or his dad. The shoreline of the Richardson cottage property was sand with a few weeds, but I took the liberty of changing it to smooth stones in the painting, to make what I think is a more interesting composition.

For more details about 'Welcome to the Lake', click here.

Shown above is the second 24 x 18" painting, 'Whispering Waters', which is part of a new series depicting islands in northern lakes. I am thrilled with the mist in the background, which nicely contrasts with the dark hues of the island and adds a sense of mystery to the scene. The complex reflections were very challenging but turned out even better than I had hoped.

Everything in this piece is taken from my imagination and general reference photos from my trips throughout northern Ontario, except for the green cedar-strip canoe. It was made by First Nations (Huron) in Wendake, Quebec for Simpsons-Sears. My husband bought it in their store in 1963 and we still own this fine craft.

For more details about 'Whispering Waters', click here.

Shown  above is 'Mystified', a larger (9 x 12") version of the two little square canoe-and-mist scenes that I painted and sold in January. I love the sense of mystery in this piece, and the little pop of red from the canoe is the perfect contrast to the green trees and gray background.

Three of the galleries representing my work, who saw this image when I posted it on Facebook, asked if they could have one for display. A popular scene! I plan to paint a fourth version in a 12 x 16" format. It is impossible to make the paintings identical to each other, due to the serendipitous nature of watercolour, so each painting will be unique.

For more details about 'Mystified', click here.

Continuing with the concept of misty canoe scenes, shown above is a new 12 x 12" work titled 'Island Spirits'. The scene is from my imagination, but based on many northern lakes I have visited and explored by kayak. Places like this revitalize me and renew my creative energy.

Watercolour is a natural when it comes to portraying fog or mist, but it takes precise timing, moisture control, and lots of practice to get it right. I think I have the hang of it now and am keen to do several more misty lake scenes. They are satisfying to do and it just feels so good to immerse myself in these calm and quiet locales.

For more details about 'Island Spirits', click here.

Now comes something completely different. I finally finished this lively tulip piece, 'Spring Splendour', 12 x 9" shown above. This was a demonstration painting I did for a workshop several years ago. The original blue-green background had granulated and looked odd, but I loved the composition and colours of the flowers. Not sure how to proceed but unwilling to discard the painting, it languished in my unfinished works drawer for years. I recently decided I had nothing to lose and painted 4 coats of a very dark watercolour mixture I call 'Black Magic' over the background. I love the drama this creates.

For more details about 'Spring Splendour', click here.

And as our winter turns to spring, I look forward to creating more new paintings and sharing with you the stories behind them. Shown above are the tools of my trade, all ready to go.

Which painting is your favourite? If you have comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post. 

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In the summer of 2007, my husband and I (pictured above) toured the island of Newfoundland for two months with our travel trailer, slowly exploring this large province from the western ferry terminal at Port aux Basques to the eastern ferry terminal on the Avalon Peninsula. Pictured in this post are some of the many paintings inspired by our summer in Newfoundland.

The highlights of our trip were many; the hospitable, fun-loving, hard-working people of Newfoundland, their incredible musical talents, world-famous Gros Morne National Park and Western Brook Pond were the top attractions for us.

We greatly enjoyed the historic Viking settlement re-enactment at l'Anse aux Meadows, numerous iceburg-sightings, a vast array of beautiful wildflowers, and learning the history of the cod fishery at Twillingate.

The Skerwink cliff trail and historic architecture at Trinity, magnificent sea views at Bonavista, berry picking on the Avalon, and the vibrant culture of St. John's all were wonderful experiences.

We spent 18 days hiking in Gros Morne National Park, which is on the mountainous west coast of the island. A few photos I took of the colourful stone beaches there have inspired dozens of pebble paintings since our visit.

Recently, I made this 90-second video of the creation of a large Newfoundland pebble painting, to show the layering process I frequently use to create the look of realistic stones. This is of interest to students of watercolour and allows non-artistic folk to get an idea of the planning that goes into my paintings. Click on the image below to view the video.

For more information about 'Beach Rocks Bigtime' click here.

Over many decades, we have toured every province and territory of Canada. Although each place was lovely and interesting to see, the island of Newfoundland remains in my top three favourite Canadian destinations (the others being Yukon Territory and Lake Superior). We look forward to another leisurely journey on The Rock one day soon.

Do you have a favourite spot in Newfoundland I should visit? Or a remarkable Newfoundland memory you would like to share? If you have suggestions or comments, please click on the 'Leave a Comment' button at the top of this post. 

Subscribe to Karen's Newsletter if you wish to see more of her painting stories, travel tales, studio news updates, or notices of upcoming painting classes and exhibitions.

All my life, I have felt the magnetic pull of stone, from mountains to boulders to pebbles to grains of sand. Perhaps it was my childhood spent near Algonquin Park, surrounded by the terrain of the Canadian Shield, that makes me instinctively drawn to rock-filled wilderness scenery.

Many people I meet at art shows or in my art classes are as captivated by beach pebbles as I. We often talk about our shared fascination with smooth stones, especially those displaying unusual colours or interesting patterns.

During a classroom chat, one of my painting students suggested I would enjoy a visit to Pebble Beach in the town of Marathon on Lake Superior's northern shore.

A few months later, travels took my husband and I by that location, and we made a point to check out this beach. Am I ever glad we did! Shown below is the view looking eastward from the entrance path.

Marathon's Pebble Beach is composed of smooth round stones the size of citrus fruits - from limes to grapefruits. The colours are rich and varied, especially when the stones are wet, and many have interesting stripes or other markings. One wonders how stones from many different rocky origins ended up in one place. I was glad I had my hiking boots on, as walking on these piles of shifting 'bowling balls' with camera in hand was a tricky prospect. Shown below is the westward view along Pebble Beach.

I visited there shortly after a rain shower - what I call a 'soft' day. I loved the combination of vividly coloured stones and misty background.

Recently I completed my first painting of this beach (shown at the top of this post) and am totally thrilled with it. I chose a low point of view for the composition to give the stones more prominence, and I selected the title because these stones are as breathtaking as jewels to me.

I photographed each step of my painting process and created a one-minute time lapse video, to show you the flow of this painting's creation. Click on the picture below to view the video and get an idea of how I work.

I am looking forward to doing more paintings of this remarkable beach. If you are a 'rockaholic' like me, you will understand my compulsion.

For more information about this painting, click here.

Do you have favourite spots on Lake Superior I should visit? If you have suggestions or comments you wish to share, please do so using the 'Leave a Comment' button at the top of this post. 

Subscribe to Karen's Newsletter if you wish to see more of her painting stories, travel tales, studio news updates, or notices of upcoming painting classes and exhibitions.